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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Margaret Fulton

Masters of Fare

Chefs, winemakers, providores

Previous exhibition, 2004

Masters of fare: chefs, winemakers, providores celebrates men and women who have championed the unique culinary characteristics and produce of Australia, enriching our lives with new ideas and new flavours over the past forty years.

H.M. King George V at his desk

King George V

George Frederick Ernest Albert, The Duke of Cornwall and York and later King George V (1865-1936), was the son of Edward VII, the man for whom the Edwardian era was named.

4 portraits in the collection

Duchess of Cornwall and York (later Queen Mary)

Queen Mary

George Frederick Ernest Albert, The Duke of Cornwall and York and later King George V (1865-1936), was the son of Edward VII, the man for whom the Edwardian era was named.

3 portraits in the collection

Self portrait with glove

To Look Within

Self Portraits in Australia

Previous exhibition, 2004

This exhibition is the first comprehensive survey of self-portraits in Australia, from the colonial period to the present

image not online

Talma Studios, Sydney

Talma Studios opened in Sydney in March 1899 in a George Street premises next door to the GPO.

1 portrait in the collection

Sandor Ferenczis 50th birthday dinner, Budapest, 1923

Less than six degrees of separation

Magazine article by Dr Anne Sanders, 2011

Anne Sanders finds connections in Inner Worlds between Hungarian expatriates and the development of psychoanalysis in Australia.

Anangu landscape learning

About Face article

Angus' initial perception of Uluru shifts, as he comes to see it as central to the entire order of Anangu life.

First-Class Marksman, 1946 by Sidney Nolan

Money for Myth

Magazine article by Jane Raffan, 2015

Australian character on the market by Jane Raffan.

Elle Macpherson

Australian Visit

Previous exhibition, 2006

The exhibition will include works of art from the NPG Canberra's permanent collection with some inward loans and aims to highlight the achievements of notable Australians.

Self portrait

Of ice and men

Magazine article by Joanna Gilmour, 2009

Frank Hurley's celebrated images document the heroism and minutiae of Australian exploration in Antarctica.

Blue Mountain, Owner, Trainer, Jockey, James Scobie

Sure thing

Magazine article by Michael Desmond, 2009

Blue Mountain, Owner, Trainer, Jockey, James Scobie 1887 by Frederick Woodhouse Snr. is a portrait of James Scobie, well known jockey and eminent horse trainer.

Charles Haddon Chambers

Suave

Magazine article by Dr Sarah Engledow, 2010

Charles Haddon Chambers the Australian-born playboy playwright settled permanently in London in 1880 but never lost his Australian stance when satirising the English.

Olegas Truchanas

Giving a dam

About Face article

Ensconced and meditative in crisp Tasmania, Joanna Gilmour pays tribute to passionate green advocate and photographer Olegas Truchanas.

Ray Lawler

Diamond Doll

Magazine article by Karen Vickery, 2016

Karen Vickery delights in a thespian thread of the Australian yarn.

Yellow portrait (portrait of Alex Jelinek)

Fugue in Yellow

Magazine article by Roger Benjamin, 2015

Roger Benjamin explores the intriguing union of Lina Bryans and Alex Jelinek.

Chang the Chinese giant and party

The portrait writ large

Magazine article by Karen Vickery, 2015

Karen Vickery on Chang the Chinese giant in Australia.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency